
| Here are Billiken/Billy Can words & images gathered from the web by E.Z.Smith. There seem to be conflicting thoughts about the origin and nature of Billiken/Billy Can, as befits a god, folk hero, sports mascot, or toilet training aid. |
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I have been asked many times the questons What is a Billiken? What
is it's Origin? Who made it?
Well I have read 3 things about where it came from. But first I will tell you what it is. From what I have read (and correct me if you have heard different) that the Billiken is a Good Luck Symbol or Charm. It is made to bring St. Louis University Teams Good Luck... That is what I have read.
How the Billiken became attached to the University remains a matter of
debate. It seems to have happened sometime between 1910 and 1911 at the
height of Billikenmania.
St. Louis sports writer William O'Connor decided that SLU football coach John Bender resembled the Billiken. Later, Charles McNamara drew a cartoon of Bender in the form of a Billiken and posted it in the window of a drugstore. The football team soon became known as Bender's Billikens.
St. Louis Billikens
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**THE BILLIKEN MAN Song, Words by E.Ray Goetz, Music by Melville, J. Gideon As Introduced by the Miss Blanche Ring, Famous Singing Comedienne. This song is published in 1909 by Special Arrangement with the Billiken Co., Chicago, Owners of the Copyright of "Billiken" five pages, on the back end paper there are nine extra Billiken Verses.
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One verse reads: Once a fat man went a-swimmin; from the surf he tripped, He was flirtin, with some woman, When his new suit ripped. As he sat down in the sand, He said "Billikens don't stand", I'm a Billiken Man, a Billiken Man.
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Billiken-The Movie Production Company: Kino Release: 3 August 1996 Length: 100 min. Format: 35 mm; 1:1.85 Color: Color |
It's 'Billiken' to the Rescue Put a coin in the donation box, rub the soles of his feet, and make a wish. Billiken the god of fortune will make us all happy.
Billiken who? The eponymous star of Sakamoto Junji's comedy, Billiken--a squat, dumpy figure with a mischievous smile and pointy head--is a character from real life. Created by an American sculptor in 1908, the bizarre statue became quite a hit in the teens and twenties in both the United States and Japan, and a shrine was even built in his honor in Osaka's Shinsekai district.
Billiken, however, has long since been forgotten. So, in some ways, have old entertainment centers like Shinsekai which, like New York's Coney Island or Tokyo's Asakusa, used to be the places to go to enjoy the thrills of modernity, to celebrate the then new fashions and fads like the movies and Billiken. However, these entertainment areas now seem somewhat pathetic and run down.
Starting with his delightful Knockout ("Dotsuitarunen," 1989) and Checkmate ("Ote,"), 1991), and continuing with Billiken, the Osaka-born Sakamoto has continued to offer a slightly nostalgic but always enjoyable portrait of the unique and irreverent culture of Shinsekai. In Billiken, the existence of the region itself is under threat as real estate developers propose to tear down Shinsekai and its symbol, the Tsutenkaku Tower, as part of efforts to bring the 2004 Olympics to Osaka.
As a defense, the head of Tsutenkaku (Kishibe Ittoku) tries a couple of absurd strategies to revive the popularity of the tower. He finally succeeds by reinstalling the forgotten statue of Billiken. But Billiken causes a commotion by fulfilling even the most ridiculous wishes.
To bring the wooden Billiken to life--to flesh out his character, so to speak--Sakamoto cleverly has the eccentric actor Sugimoto Tetta play the spirit of Billiken (he apparently prepared for his role by sleeping with the Billiken statue every night).
The movie's most delightful points are when Sugimoto, invisible to those outside of Tsutenkaku, scampers around Shinsekai trying to grant everyone's wishes, from leading a favorite horse to victory, to improving a man's sexual energy and even curing someone's hemorrhoids.
Billiken/Sugimoto fights the conniving real estate developer Ekage (Gan Ryutaro), a traitor to his native Shinsekai. He even falls in love with a young teacher Tsukino (Yamaguchi Tomoko), but it is when the fulfillment of these wishes begins to cause problems and Billiken gets thrown out of Tsutenkaku that the tight and well-paced script begins to unravel.
Billiken's eventual triumph is also a bit haphazard, which only reinforces the impression that Sakamoto's portrait of Shinsekai is best when it focuses on the area's communal ambiance, the peculiar but honest humanity of its collection of characters.
Here being out-of-fashion is cool. And Japanese religion is neither Zen nor the animism of Shinto, but the bonds of belief in one's hometown, even if it is made up of petty gangsters, homeless people, hucksters, and modern showmen like Sakamoto.
Billiken does not rise up to the level of Sakamoto's previous work, but maybe re-encountering out-of-style idols like Billiken can help us all be a little bit more happy.
Sugimoto Tetta as Billiken
Subject: a note about the Osaka Billiken
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Darling pair of Billy Can and Billy Can't figures made of chalkware. They look as tho someone has repainted them, so I priced accordingly. You can see by the bottoms, tho, that they ARE old. Great for collectors of chanberpots, Billikens or just Good Luck in general. You can't see the lettering on the fronts of the figs. very well, but it is incised into the chalk and does say BILLYCAN (w/ a backwards n) on one and BILLYCAN'T on the other. The reason is obvious, eh?
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Subject: Billiken History
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Subject: Billiken
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